This will be my shortest blog ever. I get a lot of questions about what equipment we use and why so I figured I'd make a standard equipment list and then I can easily send that along when asked for it. This list will go into just enough detail, because I don't want to overwhelm anyone. If I had to mention every single doodad and whohah we own this would take forever.
This list is specific to items we use for weddings. I've left the purely commercial focused equipment off because it never even gets taken to a wedding.The blue items are mainline equipment, the red items are backup items.
I guess we should start with the big guns, cameras.
Camera wise I'm a Canon guy. I can't tell you that I think Canon is better than Nikon, or Sony or Panasonic; In fact I'd tell you Canon and Nikon are probably about the same. Maybe Sony is a touch behind those two. I'm just used to Canon because thats what I learned on. For me I still use my Mark IIIs as my main camera simply because I can adjust that camera to the picture I want in total darkness with my eyes closed and one hand tied behind my back. I won't move my 5D Mark IV's up to frontline cameras until I have two of them and I've taken the time to get beyond comfortable with them. But that's just me.
Besides the improvements in the Mark IV are mainbly video based and I only shoot pictures.
The 24-70mm and the 70-200mm are my main workhorses.
I'll take a second to address the fact that for sharpness prime lenses are petter than zoom lenses. Thats just a fact. However in an environment where you don't have a lot of time to get the shot AND you want to be able to get that shot yet not be so close that you become part of the shot zoom lenses are far superior.
I also want to address the fact that with very few exceptions lenses with variable apertures are trash. They aren't suitable for professional work. And the 150mm-600mm can be one of those exceptions. Emphasis on CAN BE. I originally bought this lens to shoot my daughters track and fields events. If your kids do track and field you know it's an incredibly long day. Because of that I shoot thousands of pictures on track days and I've had an opportunity to find this lens has real sharpness from F5.0 to F8 through it's entire length. So if you want a really sharp long range lens so for example you can stand on one side of a lake and shoot a loving couple on the other side of the lake this is your lens.
Anyway as I said my 24-70mm and 70-200mm do the majority of the work. I take probably 90% of the pictures with those lenses. The 85mm makes for great bridal portraits with a unique feel and the 90mm is just for detail work. Ring pictures, cake shots, flowers, that kind of stuff.
I love Profoto lights. I absolutely love them. They have 7 stops of dynamic range, can be controlled via TTL or air remote and each stop has 10 steps in it. You can light anything, anyway you want with these babies. I use the B2s as my main lights for weddings. The B1's I bring as back ups and because every once in a while you need a bigger, more powerful light for a shot. I used to use the A1 in shots in the church if they allow flash during the ceremony and I used it to easily move through the crowd during the party part of the reception. But I'm in a transition period where I'm just using my B! on a bracket. We'll see if I revert.
So I think that gives you everything you need to know about my equipment. See you next week.